102 Notes


“Five years later, after floundering painfully in a world that was not  hailing me as a literary genius, or anything close to it, I exploded in a  burst of rebellion against this earnest literary greatness I’d been  trying with no luck to cultivate. I remembered how to write — and  remembered that as far as I can see, we are not demigods, we just  sometimes think we are, and the resulting comeuppance can be very funny.   I went right back to the way I’d started out writing as a kid —  visceral, playful, fun, subversive, with no thought of Greatness, no  thought of anything but having a good time as I wrote, of exposing  people, showing them as they are — not as they ought to be or as I  wished they were: Heroism and sentimentality went out the window, and I  was left with my real voice.”

Just one of the reasons we’re wild about Kate Christensen. Read more over at the Powell’s blog.

“Five years later, after floundering painfully in a world that was not hailing me as a literary genius, or anything close to it, I exploded in a burst of rebellion against this earnest literary greatness I’d been trying with no luck to cultivate. I remembered how to write — and remembered that as far as I can see, we are not demigods, we just sometimes think we are, and the resulting comeuppance can be very funny. I went right back to the way I’d started out writing as a kid — visceral, playful, fun, subversive, with no thought of Greatness, no thought of anything but having a good time as I wrote, of exposing people, showing them as they are — not as they ought to be or as I wished they were: Heroism and sentimentality went out the window, and I was left with my real voice.”

Just one of the reasons we’re wild about Kate Christensen. Read more over at the Powell’s blog.